THE CHAIR OF SAINT PETER (& OTHER GAMES)

Role: Director, Writer & Creative Lead
Presented by: Saga Sí Theatre Company
Blue Room Theatre – Summer Nights 2026
TILT Development 2025

About the Work

The Chair of Saint Peter (& Other Games) is a devised, absurdist, ritual-comedy exploring power, belief, and the human need for play.
A papal conclave unfolds not through solemn ritual, but through children’s games: musical chairs, Twister, knife-fights, confession drinking games, and chess played like spiritual combat.

The piece balances satire and sincerity, revealing how fragile and theatrical institutional power can be.

Originally developed for WAAPA’s TILT Festival (2025), the work was selected for a full professional season in The Blue Room Theatre’s Summer Nights 2026 program under the theatre collective Saga Sí, run by Sanna Ansaldo and Orla Poole.

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My Role

As Director & Creative Lead, I shaped:

  • The visual and dramaturgical world

  • The rhythm, structure and “game logic” of the performance

  • Ensemble devising methods and physical score

  • Text curation and the overarching narrative

  • The balance between ritual, absurdity, satire and sincerity

  • Rehearsal room culture rooted in play, complicité, and responsiveness

This production marks my professional directing debut and the first public presentation of Saga Sí Theatre Company.

Learn more about Saga Sí

Creative Development

TILT 2025 - WAAPA
The work emerged from three core questions:

  1. What happens when sacred ritual collides with childish play?

  2. How can satire avoid parody and instead reveal emotional and political truth?

  3. What final image lingers long after the performance ends?

Feedback, guidance and development support from mentors Jeremy Neideck, Frances Barbe and Teresa Jakovich.

Professional Season

Blue Room Theatre - Summer Nights - Fringe World Festival

Dates: Feb 2026
Venue: The Blue Room Theatre, Northbridge (WA)

The season includes:

  • In-venue residency and technical support

  • Professional operator and theatre staff

  • Full Blue Room Theatre marketing and PR support

  • Fringe-aligned run

  • Further development opportunities for Saga Sí

This season marks the transition of the work from a student festival to the professional industry.

Videography credit: Apurva Gupta.

2025 PRODUCTIONS